Producer / Recording engineer / Mixer / Mastering engineer
Pete deBoer
Making a great record is about more than getting great sounds. It’s about understanding what makes the music work, recognizing what a performance needs, and knowing when to push for something better.
Pete brings more than 25 years of professional recording experience to that process. His background includes a decade working alongside producer and mixer Ron Saint Germain, extensive work in commercial recording studios, and years producing independent artists at World Famous Studios and facilities across the country.
He’s equally comfortable capturing a band playing together, building a recording through overdubs, or finding the right balance between the two. His approach isn’t tied to a particular piece of equipment or recording technique. The choices come from the music, the people making it, and what the finished record needs to accomplish.
Pete sees production as a collaboration. Sometimes that means offering a fresh perspective on an arrangement, encouraging another performance, or finding a different way to approach a song. Other times, it means recognizing that something already works and leaving it alone.
The goal is to find what makes their music special and work together to create a record that captures something meaningful, powerful, and lasting.
Selected studio
experience.
Throughout his career, Pete has worked in recording studios across the country. These are just a handful of the many rooms that have been part of that journey.
- Electric Lady StudiosNew York
- Long View FarmMassachusetts
- Hit Factory CriteriaMiami
- The Hit FactoryNew York
- The Magic BarnIowa
- The Magic ShopNew York
- Power StationNew York
- Right Track RecordingNew York
- Sear SoundNew York
- Sonic RanchTexas
In good company
In the studio.
Selected work
Selected records.
Pete’s credits include engineering and mixing on Biohazard’s Kill or Be Killed; recording, mixing and mastering on Spectral Voice’s Eroded Corridors of Unbeing; and recording on Wayfarer’s A Romance With Violence.
Other work includes production, recording, mixing and mastering on Devil Master’s Ecstasies of Never Ending Night and Herakleion’s Necroverse, plus three albums and a live record with Blood Incantation.
Working together
The right role
for your record.
We can make a record at WFS, use another studio for tracking, or work with recordings you’ve already made. On Necroverse, for example, Pete recorded at Sonic Ranch and mixed and mastered at WFS.
Share something to listen to and tell Pete what you want to do next.
Your next record